A Bug's Life

As I write this, a tiny bug crawls across the glowing monitor of my computer. The fucking bastard.

I'm overrun!!

I was brushing my teeth before going to bed tonight and noticed a many-legged creature crawling on the bathroom wall. "Ugh!" I shouted through the Aqua-Fresh. It was one of those bugs that crawls like a millipede and has what looks like a little set of pinchers on its business end. Instinctively, I closed my eyes, and I swear to god, by the time I completed the "open" part of my blink, it was gone. My toothbrush didn't stop me from shouting, "Whewre tha fuck did ih go?"

These bugs, they move like ninjas, and, like ninjas, you can never be sure of where they are or what their intentions towards you might be. And yet...

And yet, I cannot kill them. For as disgusting as their very existence seems to be to me (I can't help it; they just gross me out), the thought of crushing their little exoskeletons and stopping their little bug neurons from firing just turns my stomach. So I have, over the years, developed quite a talent for corralling bugs onto readily available pieces of junk mail, computer paper, magazines--anything long and sturdy enough to keep the vile thing off my skin--and hauling my ass out of doors ASAP. If you enter a room expecting to find me and find only a few sheets of paper floating in the wake of air rushing out a slamming door, expect my return any moment. I'll be along shortly, obsessively brushing my sleeves, pants, and hair while, at the same time, smiling a self-satisfied smile of one who has spared the tiny life she held in her hands... well, not literally in her hands or really anywhere near her hands if she could help it. Ugh! Is there something crawling on my hand?

Okay, false alarm.

To find the source of this empathy with creatures that make my skin crawl, I must look where I always look for influences on my perception of reality: the movies. In this case, I'd have to say it was the ant in Honey, I Shrunk the Kids. This blog does not condone spoilers, but that ant gave his all to help those shrunken brats, and the thanks he got...well, let's just say Andy's sputtering cries ring in my ears as I ferry his brethren to the free air. "If I was shrunk, you'd do the same for me," I whisper along the way...you know, in my mind.

But something about this bathroom bug told me my usual approach wouldn't work. It was just too fast. My job requires me to be aware of fractions of a second of video, so believe me when I say that the amount of time it took for this beast to move the bug equivalent of a football field was no more than half a second. And so in the same instant that I considered going for the Papa Murphy's coupon--no, wait; bigger--the New Classics issue of Entertainment Weekly, I had also realized that that it was no good. Jet Li here would be up my arm and into my hair before I could scream.

So I spit out my mouthful of toothpaste, turned off the light, and actually said, "Good night," closing the bathroom door on my way out.

"He'll be gone in the morning," I told myself hopefully, dismissing any ideas of where he would go, and most especially the idea that he would go into the bathtub. "Why would he even go in there?" I reasoned, grasping, "There's no future for him in the bathtub. None of his friends are there."

And so I was reasonably calm and had grown somewhat accustomed to the idea of my new roommate as I got into bed and decided to read a bit before going to sleep. But it wasn't long before something caught my eye beyond the horizon of my open book. There, on the stark white wall opposite my bed was a big, dark, bug-shaped blob. Closer inspection revealed that it was a box elder-y-looking thing idly following his lazy antennae up the wall.

An agreement like the one I'd reached with Jet Li in the bathroom was out of the question here. This was my bedroom, dude. My bedroom. I sleep here, totally trusting various insects not to walk all over me while I'm unconscious. This guy had already proven his brazenness in hauling his dark, bug-shaped carcass for a leisurely stroll across a well-lit and completely white wall. The balls on this one!

Ah, but he was slow, and that, my friend, earned him a one-way ticket on the paper-bowl train to Front Porchville. Employing the age-old method of trapping the bug under a dome-shaped object and sliding the object down the wall, I got him into the paper bowl and hurriedly unlocked two doors and pulled open a third to arrive on the darkened front porch of my apartment building. There is no light out there, and so I could not be sure of slow-poke's fate. I only wish my human ears could have perceived his bug-shout of gratitude when he found himself surrounded by dirt and flowers and a forest of grass.

Let's say you're a dark bug with antennae. You're out for a walk on a cold, hard, white wall one night and suddenly find yourself in a paper bowl and then, after--okay--a somewhat terrifying fall through space, you are in a lush forest of green grass, with soft soil beneath each of your many feet and bright flowers towering overhead. At least, you think they're bright. Technically, your antennae only tell you they're soft, but you just have a feeling...

You wouldn't even consider going back to that room with the white wall, would you? I mean, you know just the window that would take you there, and the sorry excuse for a screen would barely stand in your way. If you left now, you could be there before dawn. Of course, you'd have to crawl across that mountain range of a lumpy thing on the bed, but it's not like you couldn't stop and rest if you wanted to. Hell, you could take a bug-shit anywhere you like. And you know how much you love spelunking. You could explore that cave you've had your bug-eyes on for days, you know, the one just beyond Mount Nostril, with the white rocks and the steady whoosh of air in and out. You wouldn't hear your bug-self say, "Live in the now, man. You're a fucking bug. Your life is short." Would you? Would YOU?

Thursday Night

You know, technology robs correspondence of certain tonal elements. For instance, the script in this message is very even and measured, and the backspace key allows me to erase any hint that my hand is anything but steady as I type this. If this were, say, 1908, I fear my shaking pen could produce nothing but characters only sometimes recognizable as letters in the English language. "Was something wrong with my pal Jess when she wrote this?" you might wonder in your old-timey inner voice. "I can't make hide nor hair of this chicken scratch, see." And you would be rightly interpreting my halting handwriting, for I have just had an encounter. . . WITH LIGHTNING.

So I was on my way home from watching the mind-blowing season finale of Lost at my friends' house, and it was raining pretty good. I'd seen some lightning earlier and even made some stupid comment about standing too close to the metal drainpipe on the side of their house. Oh, how blithely I snarked at mortality!

I drove through the rain squinting for the lines on the road, knowing they must be somewhere under all the reflected city light on the wet pavement. My mind raced with island theories and the first tentative thoughts I'd allow myself to think about the structure of Lost next season.

Fleetwood Mac's Say You Love Me was playing as I pulled up to my place and looked in vain for a parking spot. I think they must be sweeping the next street over tomorrow, because there are twice as many cars on my street tonight. So I circled around and decided to park by the back of the house and try my keys in the back door for the first time since I moved in.

I parked under a big tree and actually thought, "Oh, man, this is so one of those fateful decisions. I'm totally getting struck by lightning." I considered going around to the front door, but it was pouring rain, so I made a quick dash for the back door.

The chorus I'd cut off in the car continued in my head. "'Cause when the lovin' starts and the lights go down and there's not another livin' soul around..." I made it to the back gate and clasped the metal latch. And then every molecule of the air was positively rent with the loudest crack of thunder I've ever heard; at the exact same moment, the night was suddenly white. There was no counting the seconds between the lightning and thunder to determine the distance in miles from from the storm. It was closer than the idea of the word "Mississippi." When I tell you the ground shook, I mean it shook hard enough to set off a car alarm on the street.

"Holy shit!" I shouted, completely disregarding my earlier resolve to be a courteous neighbor and approach to the back entrance quietly. I shoved my metal key into the metal lock and hurried inside, where I stood in my kitchen and shook for a minute. Eventually, I put one foot in front of the other and went to my couch, where I sat and shook for a minute.

My ears have just stopped ringing, and one thing is clear to me tonight: we never know how long we have on Earth. We do, however, know that there are only two more seasons of Lost. Do you know how much that would have sucked if I had gotten struck by fucking lightning before finding out what the hell is going on with that island?

Born to Hobble

Ouch.

Well, I made it. I offer as proof this video documentation (which is also proof of how little I value cleaning the lens of a video camera).



I've just returned from a hobbling trip to the medicine cabinet at the back of the house, where I popped three ibuprofen in anticipation of the soreness in my legs worsening as the night goes on. It'll be fine, I'm sure. But damn! I feel really old right now. Old and angry at Sir Mix-a-Lot, whose joint-smiting rhythms haunt me in my moment of victory.

As for the walk, I'd say it's a pretty good one for the city. It begins with concrete sidewalks in my St. Paul neighborhood. Then comes what I believe is called a "casual path" in hiking circles, where the sidewalk oddly ends and I am forced to walk in a dirt trench carved in the grass by generations of bikers and pedestrians whose voices still echo in the rustle of the wind through the leaves of the low-hanging trees: "What the hell? Where the fuck is the sidewalk?" Then comes the bridge, and over it a bike and pedestrian path all along the Mississippi, until I veer inland for about six blocks of a storied Minneapolis hippie neighborhood, where I work.

I have to be at work at 7:00 a.m., so I reasoned that I should leave at 6:00. Really, there wasn't a lot of reason involved, just my fuck-that attitude about leaving in the 5:00 a.m. hour. I managed to get out the door by 6:03, and I was sort of panicked that I would be late, so I walked really, really quickly all the way there, and I made it at exactly 7:00.

When I do anything requiring even the mildest physical exertion, my face turns roughly the color of a cartoon face that has become overheated due to, say, falling into a vat of boiling water or pounding one's cartoon hand with a hammer. So my first stop at work was the ladies' room, where I splashed some cold water on my face to no avail. I took my seat and attempted to enter my alphanumeric, case-sensitive log-in password with the sausage fingers I get after walking a few miles. I was on my third try when a coworker arrived and said good morning. He regarded my lobster face. "Did you get a bunch of sun this weekend?"

I managed to gasp a reply. "No...I walked...to work...really fast." And then he asked the question my knees were screaming: "What's wrong with your car?"

I learned today that when you are dreading a physically taxing commute home, the workday just flies by. Come 3:30, I slung my backpack over my shoulder, told the receptionist that she should look for me in the street if I don't show up tomorrow, and made for the river.

But as soon as I opened the outside door, I breathed springtime in deep, and I was happy to be alive and walking home. I was enjoying the sun and the perfect breeze and, yes, the playful shouts of children in Matthews Park. I know! It was like something out of a movie.

"'Sup?" Came a voice from the barber shop across the street. A man was sitting on a bench underneath the barber pole. I glanced around me and found no one else he could have been reasonably addressing. "Hi!" I shouted back with a wave.

"You coming from chorus?"

Huh? I was utterly unable to account for what would make him think I could sing. "What?" I shouted.

"You coming from class?"

Still confused, I hitched up my backpack and realized that it was what he was referring to.

"Oh, no! Work." I said with a jerk of my thumb to the west. Was this guy trying to gauge if I was legal?

"What you gonna do the rest of the day?"

I fumbled a little. I didn't know what I was going to do for the rest of the day, and for some reason, I felt I owed this guy an explanation that didn't involve any more hints about where I lived or worked. Stupidly, I looked to his example. "Probably just sit outside."

Damn it! Why did I say that? That's not anywhere near what I had planned on doing, but I felt pressured, and I couldn't very well have said, "Go home and lie on the couch until I regain feeling in my left leg.

"Well, you decide you want to sit out here, you just come on back anytime."

My spirits bolstered by shouted propositions from a shady guy on a bench in Minneapolis, I made it to the river in no time. I shed my sweatshirt and got my iPod out of my backpack. "Coming from class," I said to myself. "That's sweet."

There was only one thing I wanted to listen to, and it was all because I couldn't sleep last night. Probably against my best fiscal interest, I decided to get cable at my new place. When I couldn't sleep last night, of course, I turned to my friend cable. There are about 150 movies you can watch On Demand for free, ranging from Immortal Beloved to Demonlover to Blue Velvet. And while I enjoy a good movie as much as the next girl (I've got The African Queen on right now), last night I only had eyes for Eddie and the Cruisers II.

Which brings me to a little experiment you can try if you like. So Arcade Fire is brilliant. I loved Funeral and bought Neon Bible sight unseen. But listen to Keep the Car Running and tell me it isn't reminiscent of Eddie and the Cruisers' signature song, On the Dark Side. And, of course, Eddie's fake band is mimicking Bruce Springsteen and his E Street comrades, who give us the real deal: She's the One. Follow the links to see for yourself, dude. Bruce Springsteen is a freaking genius, and Born to Run carried me home today. Thanks, Bruce.

Snowsabers

(I'd turn down the sound before playing the video. It's significantly less magical with the roaring motors and me shouting.)

When I was a little girl, these things seriously scared me. Seriously. Mattress sales and grand openings of grocery stores were a constant threat as my hometown expanded. I still remember the pit in my stomach when Food 4 Less opened in Kenosha, WI. Thriller was on the radio, the lights were in the sky, and I was huddled in the backseat with my eyes shut tight. "Shut tight against what?" you ask? The aliens, of course. I don't know why, but of all the things to be afraid of, aliens were my thing. My fear was twofold: first, that the beams of the searchlight would actually find something in the sky, namely something saucer-shaped and flown by beings intent on brain-sucking world domination...or, at the very least, hiding in the attic that opened into my bedroom. And if intelligent beings had come millions of light years to squat in my attic, I certainly didn't want some giant, swinging beam of light to advertise my location.
We'll call it a mark of maturity, then, that rather than shutting my eyes and screaming when I caught sight of this searchlight on Saturday, I Jessica Fletchered the source of the light and drove right up to it. My courage was rewarded with a quietly stunning display of glittering snow in fast-moving beams of hypnotically swinging light.

Okay, I get it!

I am attracting some bad, bad enviro-mojo with my shitty car. I took it in for an oil change the other day, something I had been putting off for a while because my car's "check submarine" light has come on again, and I really didn't want to know the reason this time. Turns out, it's the same old reason: the catalytic converter isn't converting anything, certainly not horrible pollutants to less-harmful ones. The last project I did at work today was about alternative energy, so Mother Earth was already on my mind. Plus, the leaves are all multicolored and falling and swirling, and I was all, "Whoa, beautiful Nature, with a capital N."

And then Mother Nature screamed at me, "Oh, you like nature, do you? That's rich!" And she fucking threw someone's recycle bins at my car! A gentle breeze hypnotically swirled these many-colored leaves before my eyes, and then, just when I was lulled into a dreamy complacency (hey, my eyes were still on the road), that breeze suddenly turned into a gust of admonishing wind and smashed these two blue recycle bins into the driver's side door.

Jeesh. Get a grip, Nature.

Pony Up

Like that creative writing teacher in high school, Blog Action Day has provided me with a prompt today: “The environment. You have till midnight, the end of Blog Action Day. Go!"

It is with pangs of guilt that I write about the environment. Not only am I currently driving by myself to and from work every day, but I am doing it in a car that is more liberally spewing pollutants into the air than other cars on the road. I am, in fact, a hypocritical ass.

I recently made a huge life decision: that I would get rid of my car and try to, like, save the Earth and stuff by personally accounting for less pollution than I usually do. As soon as the idea entered my mind, it just felt right. Not only would it help out the aforementioned Earth, but it would make me feel better about myself, and that’s really what ultimately matters.

My plan hit a snag, however, when a little light depicting a submarine and the word “check” flashed on my car’s dashboard. I took the car to a mechanic, who informed me that there was in fact no submarine to check and also that the drawing was of an automobile engine. After checking the engine, he told me that the catalytic converter in my car was no good.

The mechanic now put my two options before me. One: I could fix the catalytic converter for an absolutely obscene amount of money and dismiss all hope of even breaking even on the sale of this car. Two: I could just have him turn off the submarine light, because Minnesota doesn’t have emissions standards. With what I’m assuming would be a flick of his wrist, he could make my little submarine problem disappear.

I looked up the catalytic converter and its function when I got home. If I’m understanding the internet diagrams correctly, the catalytic converter is like a magical pony attached to your car’s undercarriage whose favorite food is pollutants. She could eat that stuff all day. Sure, some gets by her, but she eats what she can, and the air is better for it.

Oh, Universe! Why do you got to make shit so difficult? The price of a new pony was truly atrocious, and, so very soon after making my resolve to get rid of my car and be less of an asshole to the planet, the Universe was like, “Hey, asshole, why don’t you just go home and watch some TV instead?”

So, sadly, that’s what I did. What difference would it make anyway? I’m just one person with one car, and it looks like I’ll be keeping it for now.

If I believed in fate, I’d think it was a sign that "The Day After Tomorrow" was on television the day I decided to sell my car and take up the carless lifestyle. In this film, mankind has puffed so much pollution into the air that the weather gets apocalyptic and ushers in a new ice age. Cities are laid to waste by massive tornadoes, and golf-cart sized hail squishes unsuspecting Asian people. The entire Northern hemisphere is plunged into frozen chaos, all resulting in poor, lovely Jake Gyllenhaal being trapped in the New York Public Library with a killer superstorm fast approaching. That is how bad shit can get, people.

And if I had any hope that there was a deus to ex-machina our asses out of the trouble mankind is in, none of this stuff would seem scary. But the cards are stacked against hope for children of the ‘80s. Ours was one of the first generations to be sat down and told in firm tones by reliable authority figures that the environment was in trouble. Furry creatures were endangered. Exxon was a dirty word. There was a hole—a giant freakin’ hole—in the protective ozone barrier between us and the careening asteroids. Had we been allowed to swear, our collective cry would have been, “Holy fucking shit!”

And the world seems to have stalled in that moment, if pop culture—which is really the only culture, if you ask me—is any indicator. All the end-of-the world references have me scared out of my mind. According to my exhaustive research, mankind’s destruction by global war, pandemic zombie infection, asteroid collision or robot uprising seems a foregone conclusion. Sometime after that “holy shit” moment in middle school and all these glimpses into the dismal, dismal future, me and many of my generation seem to have lost all hope that we as a species might actually pull this one out of the fire.

But wait; it gets worse. Having gathered a great deal of evidence in watching a great many of these scenarios unfold on TV and in movies, I must conclude that I’m not pretty enough to survive the apocalypse. While I enjoy the stories of the ragtag group of survivors eking out an existence after the decimation of their cultures by war or by superstorms or asteroids or cylons, I know that were it to come to that now, I’d be among those cautionary tales the good-looking ragtag survivors would tell.

“You’ve got to pull yourself together, Chloe! Sure, food is scarce, human skeletons are lying everywhere, and all the wild animals that were in zoos are now roaming the deserted streets of ruined cities with enormous chips on each of their four furry shoulders, but you’re a survivor. You don’t want to end up like those people who gathered their most precious seasons of TV on DVD and wandered around for weeks, finally succumbing to the ravages of hunger and disease on the plains of South Dakota? Do you? Huh?” Man, if the apocalypse hits, I just know I’m going to end up in South Dakota.

The problem seems too big. What we need, children of the ‘80s, is a sledgehammer of hope to break it down! South Dakota looms large, but it seems the first step, the only step we can take is to believe that what we do makes a difference. In my case, that will allow for possible future steps: a new pony for my car, carpooling, getting rid of my car altogether. Who knows? It’s easier on my conscience and my wallet to ignore the submarine light, but Jake Gyllenhaal is counting on me not to be a jerk to the environment. Just say no to superstorms!

So while my point is vague at best, as if seen through a veil of smog (See? It's an intentionally hazy blog entry.), and I don’t seem to be taking any immediate action myself, damned if my blog can’t be active on Blog Action Day. Just you wait. On Crotchety Girl Action Day, I’ll be all kinds of motivated and specific. It’ll be sweet.

Moon Men and Earth Mothers: a Tale of Endless Love…and Hate…and Love…

“And, love,
I’ll be that fool for you,
I’m sure.
You know I don’t mind.
Oh, you know I don’t mind.
And, yes, you’ll be the only one,
‘cause no one can deny
this love I have inside.
And I’ll give it all to you,
my love, my love, my love,
my endless love.”

--Lionel Richie and Diana Ross



I’m standing in the self-checkout lane at Cub. Because this is the Cub on University Avenue in St. Paul, two of the registers are covered with quickly written magic marker signs that read “Out of Order.” This leaves two open registers. At one, of course, a man is having trouble entering the weight of the produce he’s buying. At the other, a woman is fidgeting with a large stack of coupons. Clearly, it would have been much faster for these people to just go through the express lane and let the professionals handle the registers.

But there’s something appealing to a certain group of people, of whom I am one, about the self-check-out lane at Cub. Here you can buy whatever you want without all the hassle of human interaction. In some small way, you are making a statement about your fierce independence. So self-reliant are you that you’ve taken on the responsibilities usually reserved for someone with a nametag and extensive knowledge of the price per pound of produce. “See?” you tell yourself once you’ve quieted the electronic voice telling you to remove that “unexpected item” from the bagging area. “I can do this myself. I don’t need anyone else.”

But even as I stood waiting for my turn to prove my independence, Lionel Richie and Diana Ross crooned over the store’s loudspeaker, professing their eternal devotion, their deep and abiding need for one another, their endless love. And all at once, the epic story of man and woman—of humankind—crushed in on me. It had been screaming at me since I left the house, but until now, I hadn’t really heard.

I had decided to bring my roommate’s dog with me for a late-night run the store. Before getting in the car, I walked her down to the end of the block. As we approached the corner, a car parked on St. Clair pulled a U-ey in what I would call a pretty urgent manner. There were no other cars on the street, so I wasn’t sure what the woman driver’s hurry was until a man’s voice shouted from a window in one of the upper stories of the apartment building across the street, “Fuck you, bitch!”

His voice was so angry, so loud; it absolutely shattered the calm night air. As a pickup truck loaded with what was probably the woman’s share of the household furniture followed after her speeding car, I scanned the lighted windows of the apartment building for the heartbroken man’s silhouette. Also, I scanned for the silhouette of the heartbroken man’s gun. Finding neither, I quickly moved from my hiding place behind an annoyingly small tree and double-timed it to my car down the block.

The man’s wrathful cry was still ringing in my ears as I waited for oncoming traffic to slow so I could turn left onto University Avenue. The light changed, and a white pickup truck that now had the green light moved impatiently into the intersection and made as if to hit my car. For the second time in five minutes, a man’s voice rang angrily through the night, but this time, the intended targets were my own delicate female ears. “Asshole!” he yelled.

I don’t know if I was more surprised to be thus treated or to have the wrongly gendered “asshole” applied to me. I wanted to set the record straight, to let him hear my woman’s voice and alert him of his faux pas. To my frustration, all that came to me was, “Shut up!” Too late, I thought to add a more gender-appropriate curse than his and shouted, “Bastard!” but he was gone, already speeding off in the opposite direction.

“What is wrong with the men in this city tonight?” I wondered aloud to the dog in the backseat. She looked back at me blankly, perplexed and utterly without an answer.

I had an odd list of things to pick up at Cub: cookie dough, a barrette for my increasingly unruly hair, and bread. I made for the health-and-beauty section of the store and found it nearly deserted. There was only one other person within a five-aisle radius, and it was a man. At first, I’d been surprised to see a guy in this section, but any uneasiness I might have felt at entering this secluded corner of the store at night was quelled when I saw that he was examining the nail-care products. “Phew,” I said to myself. “It’s just a harmless metrosexual.”

I found the aisle with hair accessories and noticed out of the corner of my eye that the man was walking slowly towards me. I got in my defensive stance and prepared to scurry around the end cap if he got any closer. I was especially concerned to realize that he seemed to be whispering to himself. I grabbed my barrettes and glanced up to plan my escape route. It was then I noticed a cord trailing from his ear to his pocket. He was not talking to himself about the various brands of lady shavers but to someone on the other end of the phone. His voice was soft and appeasing: “They’ve got a three-pack on sale, baby.” The marionette string that was his phone cord twitched, and his arms moved for nail polish remover, for conditioner and razors not of is own volition but in direct response to the whispered commands of a woman he loved.

My heart was softened a bit by the scene of a man running unmanly errands for his special lady. I had nearly forgotten all the shouting and swearing I’d heard tonight as I picked up the cookie dough and made for the bread aisle. I snagged a loaf of the cheapest wheat and noticed a small piece of cardboard on the nearly empty shelf. On one side was an ink drawing depicting the familiar pattern of a skull and crossbones, but where the skull should have been, the artist had drawn a heart with eyes that were crying. A similar figure appeared on the back of the cardboard, perhaps an earlier draft of the emblem, along with a crude drawing of a cloud and several lightning bolts.

“Hmm,” I thought as I headed toward the self-checkout lanes.

Several minutes later, still waiting for the man with his produce and the woman with her coupons to figure out the machines, I took a deep breath to avoid strangling them. In my newly calm state, I became aware of the music playing over the store’s sound system.

Lionel Richie sings, “My love, there’s only you in my life, the only thing that’s bright,” and I think of the moon. Tonight it’s low and waning. As I was parking my car in the grocery store’s lot, I’d noticed its pale form hanging dejectedly over Herberger’s. It’s two nights since the moon was full, and now it looks like someone took a lady shaver to its right side. The Man in the Moon will lose more and more of his light to the black of the night sky, and he seems to know it.

Diana Ross’ voice seems placating to me now, offering assurances of her love in irresistibly sweet tones, singing over Lionel’s lines with a soft urgency. Diana, goddess of the hunt and of the moon, reassures her man: “You’re every breath that I take. You’re every step I make.”

I thought of the woman speeding away from the apartment building on my street, the end of romance breaking the night with a disembodied curse from above. Was it the waning moon shouting after her from its low perch in the sky? “Go on, leave! And take that sliver of light off my right side with you! Fuck you, bitch!”

The squeal of tires, and my mind morphs her dark hatchback into a white pickup speeding off into the night. Had the man heard me shout my lame “Shut up…bastard”? Did he feel bad about calling me an asshole? Probably not. Had he wished he called me a bitch? Maybe.

And I wonder to myself if the man in the health-and-beauty section has moved on to the feminine hygiene products yet. Is there a pillow-soft voice whispering directly into his ear about a preferred brand of tampons?

Love is a treacherous thing, it seems to me. The mystery bread-aisle artist had captured the sentiment so simply, so eloquently in the skull-and-crying-heart drawing.

“And your eyes, your eyes, your eyes, tell me how much you care.” Lionel and Diana are working their way to the song’s climactic declaration of endless love, and all the events of the night press upon me in a fleeting glimpse and only marginal understanding of the epic struggle, the eternally rocky relationship between men and women. And suddenly I think of the lightning in the heart-and-crossbones drawing, the violence with which the sky seeks electrical balance with the earth.

There is something in the air tonight between the men and women of St. Paul, all toiling under the waning moon. I know I must do something on behalf of my sex, a small gesture at reconciliation. Some human interaction might be required. For this moment in time, I will have to abandon my independence and the self-checkout lane. I see that there are two express lanes open, one with a female cashier, one with a male. I make for the lane with the man at the register.

He rings up my three items, and I slide my credit card through the machine. A sign above the man reads that credit card transactions for purchases below $25 don’t require a signature. But this might be my only chance to communicate the apologies of my sex for our role in the lunacy of the evening, to reassure this man that, like Diana, we all “can’t resist your charms.” So I pick up the fake pen attached to the credit card machine and pretend to get ready to sign.

“Oh, you don’t have to sign,” the cashier says as if he’s doing me a huge favor. I look him straight in the eye and channel Diana Ross for my one word reply that contains the whole of human interaction: “Awesome.”

Hypocritical Mass

I don't eat meat because I have no desire to chew and digest anything that would hold it against me. And while I'm not a militant vegetarian, I am human and American and am therefore comforted by news items that validate my choices: vegetarians are more likely to be more intelligent, says one story. "Clearly," I say. I don't eat particularly well, and so I find little to interest me in stories about the ill effects of meat on the heart; I pretty much fill the "ill effects" gap with baked goods. But I've always been able to feel a certain superiority of character whenever I hear about the treatment of livestock in megafarms and the, well, slaughter of living things perpetrated at slaughterhouses.

Once again, however, television has found a way to knock me off my high horse. It's held a pixelated mirror up to my face and said, "See? You're not so great. You think that high horse wants you on its back, especially after all those baked goods? And you say you care about animals. Ha!" For though I hate the thought of animals slaughtered for consumption, though I believe whole-heartedly in their ability to think and feel in a way completely on a par with human beings, though I will surely go to the special hell reserved for puppy kickers and Ann Coulter, I must admit, I love The Deadliest Catch.

The Deadliest Catch is a brilliant show that follows six fishing boats locked in a deadly showdown with the merciless Bering Sea for the potential riches of crab fishing. There is an absolute ton of money to be made: a deckhand on a successful ship like, say, The Cornelia Marie could make more than $30,000 in a few weeks fishing. That's if you've got a good captain like Phil. I'm sure there are plenty of vessels out there that are not doing so great. It all depends on where the captain strings the pots, huge metal cages that sink down to the black and freezing ocean floor. The fishermen bait the cages, let the pots "soak" for a few days, and then come back and pull them up.

And this is where this shit gets awesome. These fishermen have their whole livelihood riding on what's in the pots when they go back and get them. They've only got so much time to catch their crab. The Discovery Channel's helpful computer-generated crab reenactments show the complex workings of the ocean floor. Giant herds of crab rove along the seabed, crawling over each other in an enormous rolling mass in search of food. The captains of the crabbing ships have to try to predict where their quarry will go next and then string their pots in the path of the crustacean stampede. It's awesome.

Over the course of a crab-fishing season, you get to know the ships, their captains, and crews. And if you, say, watch a marathon on the Discovery Channel while your roommate is away for the weekend, you might even end up peppering your speech with ill-used lingo of the Bering Sea. "That pot's coming up empty," you might say when you see someone trying to parallel park their SUV on a crowded city street. Or when giving directions, you might tell someone to take a starboard turn on Victoria Street. The king crab season ends, and the opilio season begins. You watch it all, rooting for the underdog Time Bandit but secretly reveling in the predictable dominance of the Northwestern.

Watching this show, I am reminded of a harrowing experience from my youth. My brother and I were camping with our dad at a park on the Mississippi River. A big part of the camping experience for them was fishing. For me, that meant sitting on the cooler in the middle of the canoe and reading a Nancy Drew mystery.

On one such outing, we came across a log apparently floating upstream. Further investigation revealed fishing line tangled around the driftwood. Something was dragging that log upstream. My dad caught hold of the log and started to pull in the line. There was something big, something powerful on the other end of that line, and after a few minutes of tugging, my dad gave up, to my enormous relief. I had watched, clutching the handles of the cooler on which I was perched, absolutely terrified of what could be on the other end of that line, lurking in the depths of that ancient river...and how pissed off it would be to find itself dragged to the surface. I imagined its eyes breaking the surface and darting from the line caught in its fish lips to the line strung on our fishing poles. It would do the math and squint angrily at me as it launched itself out of the water on prehistoric fins and snatched me right off the Igloo, dragging me to my murky end on the riverbed.

If you find yourself tossed into the Bering Sea, your only hope is in a survival suit. Even then, if you're not rescued within an hour, your chances of getting out of the water alive aren't great. While I'm sure any number of sea creatures would dub the season they're fished as "the deadliest," the crab fishing season claims the most human lives of any. And that is why this show is epic. That is why I can't take my eyes off it. The producers are banking on the audience's willingness--perhaps even desire--to see horrible things happen to animals and humans alike. People die all the freaking time to bring crab to the dinner tables of the world.

And so Deadliest Catch covers all the major epic struggles of literature and lore...
Man vs. Man: which boat will bring in the greatest share of the crabbing riches? Man vs. Nature: can the captains outmaneuver Poseidon as he blasts them with arctic gales and tosses their ships on 30-foot waves? Man vs. Shellfish: can the crabbers stay one step ahead of their elusive, ever-moving prize, or will the crafty crabs sidestep the sunken pots and force the men home with empty hulls and empty pockets?

I watch with hungry eyes, if not a hungry stomach. With every pot that's winched up from the ocean floor, my heart races: will it be full of crab, empty, or will some other creature wait between the bars of the cage? The monster I envision is twisted in on itself by guilt, a tortured soul that wants to do right but is weak in the face of great entertainment. I'm on the edge of my seat, which has come to feel oddly like an Igloo cooler.